Love or Fear?

It hit me in the heart like an arrow of pure truth.

“There are two ways to master an art - through love or through fear.”

A dear friend shared this quote with me on a hike to the Buddha Rocks at Shoshoni. So many years I had fear motivating my work. On a subtle level, I related to my teacher with inferiority and my peers with hostility. My learning process was sabotaged by my inner critic. It was hard to be with myself creatively.

FullSizeRender.jpg

And now, as the dust has cleared from this exploded illusion, the open space is full of love. How to go about developing my work with love? Marinate in love and gratitude for my life and creative opportunities each morning. Dedicate the merit of my work to the benefit of others. Shake off negative states of mind and see them as passing storms. Release my grip on how things should be and give them space to grow and be as they are.

How do you do your work with love?

Epic in Increments

When I was new to making art regularly, a good friend asked me if I would make large paintings of my subjects. I had been making 12" x 16" paintings and I told her it felt like all I could handle at the time!

I had to get a handle on what I could handle, and then scale up from there.

Scaling up happens in a sweet spot somewhere between what I can handle and what is completely beyond me. Like the Buddha's insight  about the Middle Way listening to the musician on the river: "if you tighten the string too much it will break, if it is too loose it will make no sound."  

​I have a tendency to want the next level of epic growth RIGHT NOW! Damnit!  Forcing things can do more harm than good, breaking the string. I am learning that my growth feels more like a slow cooker.

Scaling up is also contagious. Hanging out with people who are bigger than I am in the areas I wish to expand. Maybe they'll give me a ride in their airplane...

FullSizeRender.jpg

I'm scaling up with a new painting: taking things larger, trying a few new techniques that are stabilized by methods I have been working on. Scaling up with a good foundation.

How do you scale up?

A work of lifestyle

As we prepare to move back to Colorado, Kelly is wrapping up his apprenticeship with Mark Skudlarek at Cambridge Pottery. It has been amazing to live on Tranquil Lane (not kidding) and experience the seasons of life in the pottery.

Mark is a production potter, which means that he makes functional pieces for daily life. His showroom includes: mugs, plates, lamps, casseroles, his famous 'chicken-bricks,' beer steins, planters, large-scale vessels, treasure boxes for your dresser...

Large vessels, a mug, and the kiln in the background - all by Mark

Large vessels, a mug, and the kiln in the background - all by Mark

Speaking of one of his pottery mentors, Warren McKenzie, Mark articulates that the 'work-of-art' in pottery is the entire lifestyle, facility and process:

  • Making clay and glazes from raw materials
  • Chopping and stacking wood for home and kiln
  • Turning pots (as Mark likes to say)
  • The wood firing, a 5-day process that happens twice a year producing a few thousand pots.
  • Home, family and community who gather around the pottery and its events

This process is called the production cycle and flows with the seasons, culminating in a tour in fall and spring. When someone takes home a piece of pottery, it becomes part of their life and they continue this creative process.

It has felt natural to practice meditation as we have lived with Mark in his artisan lifestyle for this year. Many days, I would bring my easel into the workshop and paint alongside the potters.

Gayatri painting and lamps.JPG

We leave Tranquil Lane with a bittersweet sigh and a sense of gratitude as we say farewell for now to Mark and the boys. We will take methods and inspiration for pottery, life and art with us into our next chapter.

Check out Mark's work at www.cambridgepottery.com